It is black and white, and mono too, but the sound is very good.
#YOUTUBE FLEETWOOD MAC LOOKING OUT FOR LOVE FULL#
Just found on Concert Vault (née Wolfgang's Vault) they've now got Oct 17, 1975Ĭapitol Theatre, Passaic, NJ - a full film of the concert. I do like her image, and seem to remember a good verbal pastiche of her nature / image by Sandra Bernhardt, probably in the Without You I'm Nothing film / album. I have a feeling she was responsible for Fireflies - which I adore - a failed single from the Fleetwood Mac Live album, and "That's Alright" from Mirage, both favourites of mine. Thing is.I usually found that I liked Lyndsey Buckingham's and Christine's McVie's output more than hers - particularly on Tusk. There have been moments, songs I've enjoyed but I don't hanker to listen to her solo albums and not sure I have any, perhaps one, and possibly some singles. (and the order of my words there was intentional). I think the politest answer is I would like to think of it more. I'm not sure assuming you won't like it will serve you well, with respect, you just *might* be surprised by at least some of Tusk.Īnd as a side question, what do you think of Stevie Nicks, her solo work? Stranger Jun 16 2013, 09:22 AM wrote: True.but I'm trying to point out that a fair proportion of Tusk is different from the smooth pop rock sounds of the 70's Mac, and the smooth pop sounds of the 80's Mac.or at least as one correspond said here somewhere there's a good pop punk ep within Tusk.that part is the one I think you need to hear.
I keep meaning to get Mick Fleetwood's first solo album, which I liked at the time (but that was a long time ago). There was some quote I came across recently about how Lester Bangs would lissen to Fleetwood Mac just for the bass. I agree, but it is both the bass and the drums. Listening now I enjoy the extended, hypnotic rhythms and steady unfolding of the songs. Getting more acquainted with them, which includes letting them play over and over in the background through the day the drumming does stand out - I reckon he'd fit right in with The Fall - the unfaltering, clipped beat a dip, a roll - those drums are speaking, man.įirst time I heard them was working in menswear and the manager had a cassette of their early days fast forward to the turn of the century and another manager tried to indoctrinate us with their later Hits, and to be honest it's these that I prefer. It would get really boring if every band had a Keith Moon or a Neil Peart at the traps. Fritter Feb 8 2011, 12:13 PM wrote: I think Mick Fleetwood is a brilliant drummer, or at least perfect for the band, he puts just the tiniest fill in at just the right moment that really makes you go "What?!" - like that bit in the middle of the third verse of Everywhere.
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